Fiction Project Guidelines:
153.Fiction Project guidelines// LOG LINES AND TREATMENTS FOR FICTION PROJECT DUE WEEK 10
Workshop rules:
Screenwriters will make hard copies for each speaking role BEFORE class and send a pdf script WITH TITLE PAGE to professor at least 3 hours before the start of class. Screenwriters will NOT be allowed to read their own script, only to listen to others read.
Readers will not attempt accents nor will they otherwise try to overact.
Audience members will listen respectfully and offer constructive suggestions. Suggested topics to discuss after a reading: Too long? Too short? Just right? What was the overall effect? What was/was not clear by the end?
Textbook / Reading assignments on syllabus):
153.Fiction Step Outline Pointers
153.Adam Davidson.The Lunch Date
153.Sample Movie Treatment-Lilly
153.Freaks&Geeks.Bible excerpt
The Luckiest Woman on Earth.Harpers
The Luckiest Woman on Earth.Word
Step Outline: LUCKIEST WOMAN ON EARTH – Version-1
Step Outline: LUCKIEST WOMAN ON EARTH – Version-1 with supporting text
Step-Outline:LUCKIEST WOMAN ON EARTH – Version-2
Step Outline: LUCKIEST WOMAN ON EARTH – Version-2 with supporting text
153.Nonfiction Project.Treatment-AV examples
153.Nonfiction.Documentary Modalities-Evidence
153.A-V Scripting – Reenactment
SCRIPTWRITING by Sam Sloves (pdf)
Screenplay formatting guides
Writer’s Store Screenplay Format Guide
153.SCREENPLAY FORMAT CHEAT SHEET
Short Films to view: [BMCC Libraries Film Databases – link]
The Lunch Date (1989, dir./scr. Adam Davidson, 11 mins.)
Surprise (1995, dir./scr. Veit Helmer, 6 mins.)
Kom (1995, dir./scr Marianne Ulrichsen, 4 mins.) (or Here)
Lifted (2006, Gary Rydstrom, 5 mins.)
The Umbrella Man (2011, Errol Morris, 7 mins.)
Sit (2016, Yoko Okumura, 12 mins.)
Feature Film to view: [BMCC Libraries Film Databases-link]
The Godfather (1972, dir. Francis Ford Coppola; scr. Francis Ford Coppola and Mario Puzo, from the novel by Mario Puzo) (Swank Digital Campus — off campus link — need to be logged in to BMCC Library to access)
Outlines to Short Films:
Tools of Analysis:
Pixar’s 22 Rules of Storytelling
Elements of Three Act Structure
Three Act Structure.Jim Soto glosses SYD_FIELD
Core Events-Protagonist.The Tortoise and the Hare
The Seven Basic Plots – Summary
Matt and Trey at NYU